{"id":483,"date":"2023-06-22T06:38:48","date_gmt":"2023-06-22T06:38:48","guid":{"rendered":"https:\/\/art100.in\/home\/"},"modified":"2025-07-31T20:17:57","modified_gmt":"2025-07-31T20:17:57","slug":"home","status":"publish","type":"page","link":"https:\/\/art100.in\/pt-br\/","title":{"rendered":"Home"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t<\/div>\n\t
\n\t\t
\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t10 de mar\u00e7o de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tRosangela Renno\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Ros\u00e2ngela Renn\u00f3 investiga a fotografia como instrumento de mem\u00f3ria e resist\u00eancia, refletindo sobre a preserva\u00e7\u00e3o, a circula\u00e7\u00e3o e o desaparecimento das imagens na contempora<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t3 de mar\u00e7o de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tGoia Mujalli\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Goia Mujalli explora a pintura como campo de experimenta\u00e7\u00e3o entre figura\u00e7\u00e3o e abstra\u00e7\u00e3o, integrando refer\u00eancias bot\u00e2nicas, processos intuitivos e investiga\u00e7\u00f5es sonoras<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t24 de fevereiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tFelippe Moraes\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Felippe Moraes transforma conceitos cient\u00edficos sobre tempo, espa\u00e7o e escala em experi\u00eancias po\u00e9ticas que aproximam investiga\u00e7\u00e3o, reflex\u00e3o e cotidiano<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t10 de fevereiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tNicole Kouts\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Nicole Kouts explora as rela\u00e7\u00f5es entre tecnologia, mem\u00f3ria e imagem atrav\u00e9s de uma pr\u00e1tica multim\u00eddia que integra artes visuais, audiovisual e performance<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t3 de fevereiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tBruno faria\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Bruno Faria investiga a cultura brasileira por meio de arquivos, imagens e vest\u00edgios hist\u00f3ricos, revelando tens\u00f5es, apagamentos e transforma\u00e7\u00f5es presentes na mem\u00f3ria coletiva<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t27 de janeiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tVivian Caccuri\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Vivian Caccuri explora o som como elemento sensorial, cultural e pol\u00edtico, criando obras que investigam suas rela\u00e7\u00f5es com o corpo, o espa\u00e7o e a percep\u00e7\u00e3o<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t20 de janeiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tCadu\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Cadu investiga as converg\u00eancias entre conhecimento, experimenta\u00e7\u00e3o material e processos coletivos, criando obras moldadas pelo acaso, pela colabora\u00e7\u00e3o e pelas tens\u00f5es sociais<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t13 de janeiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tMano Penalva\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Mano Penalva explora as rela\u00e7\u00f5es entre cultura, identidade e materialidade, aproximando universos regionais e globais por meio de objetos, gestos e narrativas do cotidiano<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t6 de janeiro de 2026<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tLaercio Redondo\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Laercio Redondo investiga as rela\u00e7\u00f5es entre mem\u00f3ria, hist\u00f3ria e modernidade, revelando narrativas ocultas e os apagamentos presentes nas constru\u00e7\u00f5es culturais e sociais<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n

\n\t
\n\t\t
\n\t\n\t
\n\t\t\n \t\t\t\"\"\t\t<\/a>\n \t<\/div>\n<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t\n\t16 de dezembro de 2025<\/a>
<\/div>\n\t\n\t\tPor\t<\/span>\n\tbrunnosilva<\/a>
<\/div>
\n\tEntrevistas<\/a><\/div>\n
<\/div>\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t

\n\t\n\t\tRegina Parra\t<\/a>\n<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\t

Regina Parra explora o corpo feminino como espa\u00e7o de tens\u00e3o e resist\u00eancia, articulando mem\u00f3ria, poder e identidade por meio de imagens de intensa for\u00e7a po\u00e9tica<\/p>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\tCarregar mais<\/span><\/a>\t\t<\/div>\n\t<\/div>\n\t<\/path><\/svg><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

julho 15, 2025 Por brunnosilva Entrevistas Tiago Mestre Tiago Mestre parte da arquitetura e da viv\u00eancia como imigrante para criar obras que lidam com deslocamento, territ\u00f3rio e constru\u00e7\u00f5es simb\u00f3licas do espa\u00e7o julho 15, 2025 Por brunnosilva Entrevistas Edu Silva Edu Silva transita entre mem\u00f3ria e mat\u00e9ria, partindo de viv\u00eancias pessoais para revelar contrastes sociais, hierarquias […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","inline_featured_image":false,"footnotes":""},"class_list":["post-483","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/pages\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/comments?post=483"}],"version-history":[{"count":29,"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/pages\/483\/revisions"}],"predecessor-version":[{"id":2430,"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/pages\/483\/revisions\/2430"}],"wp:attachment":[{"href":"https:\/\/art100.in\/pt-br\/wp-json\/wp\/v2\/media?parent=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}